Fabio Lattanzi Antinori: Chased by Unicorns
Pi artworks is thrilled to announce artist Fabio Lattanzi Antinori’s first solo exhibition at the gallery.
Consisting of entirely new works that range from sculpture to silkscreen prints and video, Antinori explores the notion of value systems in present society. He looks to the tensions between personal gains and corporate profit, desire and surveillance, privacy and the involuntary contribution of our personal information to an unremunerated, unregulated market of behavioural data.
Alluding to unicorns – or start-ups that have become synonymous with disruptive software, hyper-fast growth, and an income stream very often derived from tracking and monetising data - this exhibition grows from Antinori’s interest in language, the dynamics of power, and the way market values and ideologies permeate and shape social relations.
Central to the show is a series of sculptural and printed works comparing Raymond Williams’ notion of key words, a tool to understand how ‘important social and historical processes occur within language’ with current digital marketing’s calculated use of keywords. Put simply,terms we look for online and which are secretively used to predict our behaviour and then influence it through advertising techniques.
In the second part of the show the artist reflects on the unsustainable nature of the current economic model and on the way happiness, co-opted by advertising and brands, can be used to perpetuate a culture of consumption and production. Combining the results of a survey designed to understand the psychological consequences of life as a consumer, with a selection of self-help books, podcasts and transcripts from instructional videos, Antinori trains and later asks an AI model to reflect on the nature of happiness.
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Fabio Lattanzi Antinor
Fat Fingers: Keywords 1972
2022
16 Silkscreen prints on paper, acrylic, mistyped keywords from SEO platforms
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Fabio Lattanzi Antinori
Permutations
2022
LED, electronics, extruded aluminium, data from SEO platforms
1440 x 1640 x 455 mm
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Fabio Lattanzi Antinori
Unicorns & Angels
2022
Silkscreen print on paper, acrylic, mica, metal alloy and testosterone, financial data
Dimensions variable
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Fabio Lattanzi Antinori
Of Images and Alt Texts
2022
920 x 1700 x 650 mm
LED, electronics, powder-coated extruded aluminium, data from SEO platforms -
Fabio Lattanzi Antinori
Business As Usual
2022
530 x 530 mm
Silkscreen Print, acrylic on paper, LED, electronics
Unique -
Fabio Lattanzi Antinori
A Sign
2022
Perforated security screen sheet, aluminium
1190 x 996 mm
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Fabio Lattanzi Antinori
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Fabio Lattanzi Antinori
Powered by You
2022
780 x 860 x 100 mm
LED, electronics, powder-coated extruded aluminium, data from SEO platforms -
Fabio Lattanzi Antinori
A Transformer Way to Happiness
2022
5 min.
Video
Edition 1/5 + 2AP -
Fabio Lattanzi Antinori
2022
World Seeks Stable Population and Stable Industrial Output per Person
530 x 530 mm
Silkscreen print, acrylic on paper, LED, electronics
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Fabio Lattanzi Antinori
2022
From Unhappiness to Money
530 x 530 mm
Silkscreen print, acrylic on paper, dopamine booster, database
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Fabio Lattanzi Antinori
2022
From Money to Unhappiness
530 x 530 mm
Silkscreen print, acrylic on paper, dopamine booster, database
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Fabio Lattanzi Antinori
2022
American Customer Satisfaction Index
76 x 56 cm
Silkscreen print, acrylic on paper, dopamine booster, model
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Fabio Lattanzi Antinori
2022
Standard Customer Satisfaction Model
76 x 56cm
Silkscreen print, acrylic on paper, dopamine booster, model
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Fabio Lattanzi Antinori
2022
European customer satisfaction Index
76 x 56 cm
Silkscreen print, acrylic on paper, dopamine booster, model
A solo exhibition by Fabio Lattanzi Antinori. 10th – 30th November 2022.
Pi artworks is thrilled to announce artist Fabio Lattanzi Antinori’s first solo exhibition at the gallery. Consisting of entirely new works that range from sculpture to silkscreen prints and video, Antinori explores the notion of value systems in present society. He looks to the tensions between personal gains and corporate profit, desire and surveillance, privacy and the involuntary contribution of our personal information to an unremunerated, unregulated market of behavioural data.
Alluding to unicorns – or start-ups that have become synonymous with disruptive software, hyper-fast growth, and an income stream very often derived from tracking and monetising data - this exhibition grows from Antinori’s interest in language, the dynamics of power, and the way market values and ideologies permeate and shape social relations.
Central to the show is a series of sculptural and printed works comparing Raymond Williams’ notion of key words, a tool to understand how ‘important social and historical processes occur within language’ with current digital marketing’s calculated use of keywords. Put simply, terms we look for online and which are secretively used to predict our behaviour and then influence it through advertising techniques.
In the second part of the show the artist reflects on the unsustainable nature of the current economic model and on the way happiness, co- opted by advertising and brands, can be used to perpetuate a culture of consumption and production. Combining the results of a survey designed to understand the psychological consequences of life as a consumer, with a selection of self-help books, podcasts and transcripts from instructional videos, Antinori trains and later asks an AI model to reflect on the nature of happiness.