Nejat Sati is part of a generation of artists who have used innovative techniques to transform the discipline of painting. Prior to commencing a painting, Sati mixes his paint with a viscous, transparent acrylic gel. A generous amount of this mixture is then swept across the canvas and over its edges by either a brush or a squeegee. Once dry, the pigmented gels waxy consistency transforms into a hard, shiny, plastic-like surface. Due his materials semi-transparent nature, the artist does not fully control the outcome and often small bands of underlying color peer through, contrasting with the color of the uppermost layer, creating a sense of movement. Therefore, while the creation of each work is similar, nuances in composition and shade make each outcome distinctively different from the last.
Divorced from the restrictions of figurative depiction, Sati's practice focuses on the application and manipulation of his medium. For him, it is just as much about testing his signature materials inherent creative potential, and exploring how the fluctuating transparency effects how the colors juxtapose with each other, as it is about the artworks final form.
Satı's dynamic and abstract forms reinforce the materials own creative potential. In his recent series Light in the Dark (2017), he tests the surface of the canvas, oscillating between different levels of density using a simplified color palette. The series are composed of layers of black and white paint that, through his use of pearlescent and incandescent shades, appear like radiating cosmic rays. Due to his technique of rendering illumination with light and dark tones, different light strains arise at various times of the day.
Nejat Sati, b. 1982, Istanbul. Major exhibitions include; Dinemo III (group), Buyuk Efes Art, Izmir, Turkey (2018); Light in the Dark (solo), Pi Artworks Istanbul, Turkey (2017); The Power of Form, Plato Sanat, Istanbul, Turkey (2016); Nefs (solo), Pi Artworks Istanbul, Turkey (2014); Istanbul Art Scene (solo), Yallay Gallery, Hong Kong (2014); Hot Spot Istanbul, Haus Konstruktiv, Zurich, Switzerland (2013); State of Mind (solo), Pi Artworks Istanbul, Turkey (2012); Encounters, Turkish Contemporary Art in Korea, Araart, Seoul, South Korea (2012); If Nature is Heaven, Hell is The City, CerModern, Ankara, Turkey (2011); and When Ideas Become Crime, Depo, Istanbul, Turkey (2010). Major collections holding his work include; Avidon Art & Design Collection, Dusseldorf, Germany; Kuna & Co Collection, Frankfurt, Germany; Bissan Gallery Collection, Doha, Qatar; John Quinn Collection, Los Angeles, CA, USA; Urquhart Collection, Los Angeles, CA, USA; Allianz Collection, Istanbul, Turkey; Papko Collection, Istanbul, Turkey; Vehbi Koc Foundation, Istanbul, Turkey and Yildiz Holding, Istanbul, Turkey.